Details Books During The Immoralist
| Original Title: | L'immoraliste |
| ISBN: | 0142180025 (ISBN13: 9780142180020) |
| Edition Language: | English |
André Gide
Paperback | Pages: 144 pages Rating: 3.58 | 9223 Users | 645 Reviews
Declare Of Books The Immoralist
| Title | : | The Immoralist |
| Author | : | André Gide |
| Book Format | : | Paperback |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 144 pages |
| Published | : | September 1st 2001 by Penguin Classics (first published 1902) |
| Categories | : | Fiction. Cultural. France. Classics. European Literature. French Literature. Literature. Philosophy. Novels |
Narration Conducive To Books The Immoralist
In The Immoralist , André Gide presents the confessional account of a man seeking the truth of his own nature. The story's protagonist, Michel, knows nothing about love when he marries the gentle Marceline out of duty to his father. On the couple's honeymoon to Tunisia, Michel becomes very ill, and during his recovery he meets a young Arab boy whose radiant health and beauty captivate him. An awakening for him both sexually and morally, Michel discovers a new freedom in seeking to live according to his own desires. But, as he also discovers, freedom can be a burden. A frank defense of homosexuality and a challenge to prevailing ethical concepts, The Immoralist is a literary landmark, marked by Gide's masterful, pure, simple style. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.Rating Of Books The Immoralist
Ratings: 3.58 From 9223 Users | 645 ReviewsEvaluate Of Books The Immoralist
When we are growing children, we have so many fantasies of countless things, we have our own interpretations of the phenomena of nature, Imagination of a bearded old man dwelling in sky as God, Rain from sky as tears of angels, angry trees shedding leaves, fairies visiting only good children at night, and so many and many.They all sound sweet to ears, even stupid but sweet..But what if a grown adult of five and twenty, fantasizes those children a source of his melancholic pleasure what if heI thought this was good overall but certainly not as good as strait is the gate. This book is about a couple who are well off enough to travel around Europe to some of its major cities and build the relationship and love they have for each other. The husband first falls ill and then its the turn of the wife near the end. Gide seems to have taken a formula that works and applied it where he gets one of the 2 main protagonists finished off by the end of the book. It moved me in places but not half
The Casbah, 1895 ~ Roaming from bar to bar in Algiers, Oscar Wilde and Gide (1869-1951) find themselves amid Zouaves and sailors, as Gide records elsewhere. "Do you want the little musician?" asks OW, whose own lips seemed "as if soft with milk and ready to suck again," says the symbolist Marcel Schwob. OW is not Mephistopheles. Young Gide, having hurled aside his moralistic, Protestant upbringing, had already been playing both Marguerite & Faust in N. Africa with a "special friend." He
Well written, but ultimately unsatisfying. I'm certain that I would have a stronger feeling about this book if I lived during a time when homosexuals were made to repress their true selves, imperialism was the word of the day, monotony was taking over the workforce, Arabs were looked down upon by much of western culture, tourists paid meager rates to third-world children for labor services and sexual favors, a huge percentage of visual artists and intellectuals were snobby and pretentious, too
In days of yore, when Hollywood movies were heavily censored, the creative people who were having the most fun were the artists responsible for painting the lurid promo posters aimed at sucking gullible audiences into the theaters. Images of half-naked women with torn garments that barely covered their nipples and genitalia dangled limp in the arms of some salivating brute or monster or cad, surrounded by exploding words like "SIN!" and "SHAME!" and "UNSPEAKABLE!" promised far more than the
Gide's freedom of thought got me thinking, just how much freedom of thought is really tolerated these days? Like Montherlant, Gide can be difficult to process especially in this era.
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